展覽概述 EXHIBITION INTRODUCTION


「身為生物學家,我不得不視自己為芸芸動植物中的一隻動物。」Barbara Kingsolver

「有如人類先祖在洞穴牆壁畫動物,用木和骨頭雕刻動物,我們現代人用動物圖案裝飾家居,給小孩抱動物毛公仔,看動物卡通,讀動物故事。」Diane Ackerman

「人類是講故事的動物。」Salman Rushdie

「動物大觀園」是個講故事的展覽,以藝術、科學、自然和社會的角度窺探動物世界。在人類所認知的世界中,動物可謂根本,差不多佔據地球上所有大小棲息地。自最古老的洞穴畫起,動物一直是藝術的主題。昆蟲、雀鳥和哺乳類動物是文學和電影中精彩的角色,是神話和宗教中不朽的主角。人類為了果腹,利用、屠宰大量動物種類,又以寵物填補物質和心靈所需。美索不達米亞、印度和中國等古老文明,早已對動物王國有所研究,而古希臘和古羅馬則創立了現代生物學。

「動物大觀園」試圖將這些脈絡,串連成一個引人入勝的故事,闡明人與動物多樣的關聯。 國立故宮博物院以動物為題的珍藏,本校新成立的賽馬會動物醫學及生命科學院的「健康一體化」(One Health)研究,以及本校創意媒體學院富批判性的當代藝術,在是次展覽相會。

展覽同時指向動物所面臨的危機,包括氣候變化、環境破壞、人口膨脹、戰禍、偷獵、跨物種傳染等等。而跨學科動物研究的發現,使人意識到動物亦有感受,繼而對之加以尊重,最終改變不利於動物的惡習,這至為重要。

「動物大觀園」的故事線,同見於展覽設計之中,兩者將展覽的五大部分環環相扣。觀眾於本校展覽館,感受這個令人投入的旅程:

  • 博物百科:動物與科學探索
  • 如意吉祥:動物的象徵寓意
  • 傳說奇想:虛構和人工的動物
  • 自然生態:動物與「天人合一」的違和
  • 當代藝術:動物的革新意象

A.A. Milne寫過:「與動物說話者有,但聆聽動物者稀。」「動物大觀園」引領觀眾傾聽多姿多彩的動物故事,有些源自動物世界,有些為人類取材自動物界所創作,為觀眾帶來奇妙體驗,獲得全面啟發。



“As a biologist, I can't think of myself as anything but an animal among animals and plant.” - Barbara Kingsolver

“Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.” - Diane Ackerman

“We are the storytelling animal.” - Salman Rushdie

ANiMAL - Art Science Nature Society is a storytelling exhibition about the animal world seen through the lenses of Art, Science, Nature and Society. Animals are an elemental presence in our cognizance of the world; they occupy virtually all of earth's habitats and microhabitats, and they have been the subject of art since the earliest times of cave paintings. Insects, birds and mammals play compelling roles in literature and film, and they are the enduring protagonists in mythology and religion. The human population exploits a large number of animal species for food, while animal pets provide their owners with physical and emotional benefits.

The ANiMAL exhibition seeks to weave these threads together into a compelling narrative that elucidates our multi-various interactions with the animal domain via the treasury of animal-related artworks in the collection of the National Palace Museum. This aesthetic trajectory is conjoined with the One Health sciences, coming out of CityU's new Jockey Club College of Veterinary Medicine and Life Sciences, and the critical practices of contemporary art championed by CityU's School of Creative Media.

The exhibition also flags today's growing threats to animal life posed for example by climate change, environmental degradation, population growth, wars, poaching and cross-species virus transmission. Most importantly, the insights provided in the field of Animal Studies have increased our respect for animal sentience, acknowledging their ability to perceive and feel things, and hopefully changing our behavior accordingly.

The narrative artery that runs through this exhibition is also expressed materially in its design, both delineate and bind together the five main chapters offered the visitor in this journey of engagement through CityU's Exhibition Gallery:

  • Encyclopaedia, compendia and scientic inquiry
  • Auspicious symbols and homophonic puns
  • Mythical creatures and bestiaries from fantasy to manufactury and the popular imaginary
  • The harmony and disharmonies of animal and nature
  • Revisioning animal identity in contemporary art

A.A. Milne wrote: “Some people talk to animals. Not many listen though.” The ANiMAL exhibition invites its visitors to listen to the extraordinary web of stories that emanate from the animal world, stories that we in turn build upon and project back to create a condition of universal wonder and inspiration.