策展理念

Curatorial Concepts

「同安‧潮-新媒體藝術展」運用浮空投影、裸眼3D、AR擴增實境及Kinect體感互動裝置等科技,以互動、數位的藝術呈現方式,重新詮釋同安船歷史發展的起落,讓觀眾更能親近數位科技帶來的歷史震撼,壯麗地重現十九世紀東亞海洋文明的繁盛樣貌與同安船的歷史風華。

同安船為清朝中葉興起的大型古帆船,因建造於福建省同安縣而名之。同安船不但廣為民間使用,也被海盜利用,最後並成為清朝外海水師的主力,是輪船出現前,最具代表性的中國古帆船。而「潮」字的運用,發源自同安船相關連之海潮、移民潮與經濟潮。首先,東亞的海潮帶來了無限的可能性,打開了中國海洋不可或缺的聯外通道;移民潮帶來了豐沛的力量,帶動了臺灣的開發;隨之而來的經濟潮,造就了當時豐富多元的海商文化,也衍生出「大出海」蔡牽、張保仔這樣的海盜。此外,將故宮典藏文物藉由新媒體科技詮釋及呈現,亦是一種當代展覽的新趨勢及新潮流,而藉由上述四種不同「潮」的定義,正說明了本展覽的旨趣。

本展覽依照「時代背景」、「主要人物」及「船隻結構」等三大主軸切入,透過新銳科技的整合運用,讓觀眾充份體驗每件作品所營造的情境和氛圍,並進而了解同安船的歷史、軍事及文化等面向的相關知識,及文獻史料的豐富內涵。

“Rebuilding the Tong-an Ships New Media Art Exhibition” features installations using a holographic projection, naked-eye 3D, augmented reality, and Kinect sensor technology as an interactive and digital art form to reinterpret the rise and fall of Tong-an ships in Chinese maritime history. With the advanced digital technologies, the audiences can enjoy a much more immersive viewing experience. The exhibition presents a splendid recreation of the heyday of East Asian maritime culture during the 19th century and the historical elegance of the Tong-an ships.

These large traditional sailing vessels, which emerged in the middle of the Qing Dynasty, were so named because they were constructed in Tong-an County of Fujian Province. They were widely used in the private sector and utilised by pirates before finally becoming the naval mainstay of the Qing court. Before the arrival of the steamship in China, Tong-an ships were the most representative sailing vessels in ancient China.

A curatorial focus of the exhibit rests on the idea of “tides”, as in “ocean tides”, “the tide of immigration”, and an “economic tide”, all of which became associated with Tong-an ships. First, ocean tides brought unlimited opportunities, opening an indispensable link to the outside world along China’s coast. Tong-an ships also helped spur a tide of immigration, adding to the development of Taiwan. With it came an economic tide, creating a rich and pluralistic maritime commercial culture at a time that saw the rise of the “Pirate Kings”, such as Cai Qian and Cheung Po Tsai. In addition, interpreting and presenting artifacts from NPM using new media technology represents a new trend, or “tide”, in contemporary exhibit installations. Thus, the kinds of “tides” mentioned above provide an objective for explaining this exhibition.

This exhibition follows three main perspectives in dealing with the subject: “Periodical Background”, “Main Characters”, and “Ship Construction”. The integrated application of advanced new technology allows audiences to fully experience the emotional impact and atmosphere of each work and thereby further understand related information on such facets as the history, military affairs, and cultural aspects of the Tong-an ships as well as the rich content of historical documents.