SM5335 - Archaeology of New Media Art | ||||||||
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* The offering term is subject to change without prior notice | ||||||||
Course Aims | ||||||||
This course adopts Michel Foucault’s concept of “genealogy” and “archaeology” to form the basis for critical revisionist historiography. On an art history level, the course adopts media archaeology as an alternative to the understanding of contemporary and media art. It seeks to develop a basic understanding of media art via an inter-disciplinary orientation. It provides an overview of the social context, aims and forms of contemporary art, with a strong emphasis on experimental film and video art, installation, performance, interactive and intermedia work, and modes of computational thinking in art practices. The main focus will be on how media technologies are used in contemporary art practices. Beginning with a media archaeological approach and tracing developments in recording and presentation technologies, the course examines how media adds meaning and innovation to making art. The course also examines the conceptual threads of both media and art, and how media art making is part of a social practice contingent to a larger social-cultural-technological framework. Students are encouraged to explore media technology as an ever-changing variable that is open for scrutiny, recycling, transformation and subversion. Key questions to be discussed pertain to the nature of artistic media, the interaction between art and technology, the ecology of information technologies, the social and political aspects of avant-garde art, the nature of experimentation, the meaning of interactivity, etc., all of which will be illustrated by key works from around the world. The course will also examine how the merging of art with science has occurred in various art movements over the past century and how the two are being linked today. Students will conduct historical analyses of individual movements and artists, compare different theoretical perspectives, and familiarize themselves with key literature. A creative work could be an alternative by which students demonstrate an awareness of key conceptual and formal issues in contemporary and media art. Extensive class discussions and practical assignments will encourage students to reflect critically about the fundamentals of their activity as creative media artists. | ||||||||
Assessment (Indicative only, please check the detailed course information) | ||||||||
Continuous Assessment: 100% | ||||||||
Detailed Course Information | ||||||||
SM5335.pdf | ||||||||
Useful Links | ||||||||
School of Creative Media |