About Me
王郁洋
WANG Yuyang
1979 年生於哈爾濱，2004 年畢業於中央戲劇學院，2008 年獲中央美術學院碩士學位。 現任教於中央美術學院實驗藝術學院。
Born in Harbin in 1979, Wang graduated from The Central Academy of Drama in 2004 and obtained a master’s degree from the Central Academy of Fine Arts in 2008. He teaches at the School of Experimental Art, Central Academy of Fine Arts.
提名專家
Nominator
李振華 LI Zhenhua
線
Line
2012-2015
錄像、打印畫
Video, image printed on paper
一條隨意手繪的曲線通過電腦解析並編碼生成可以通過腦機介面技術識別的視覺圖形編碼，這些編碼用一定的時間序列展示在螢幕上。當觀眾注視這個被「認為」是關於光的視覺影像作品時，觀眾腦部所產生的腦電信號與生成視覺圖形編碼的手繪曲線形成了相同的波形。這也就意味著在觀眾腦部擁有了隨意畫出的曲線圖形。觀眾的腦部某種程度成為了紀錄並展示「繪畫」（手繪曲線）的空間與載體。
傳輸的過程是觀眾在欣賞一個「光」的視覺作品時完成的，他不被觀眾所察覺卻進入到觀眾的腦部。作品與觀眾產生了最為直接根本的互動，這裡的互動與作品直接帶來的體驗性互動不同，更與傳統作品所謂的「互動」截然相反，這個互動變得具有不可抗拒的隱形性。同時這個互動的結果對於個體生理而言具有一致性。
在播放視覺圖形編碼螢幕的對面牆上安放著手繪曲線的原稿。觀眾在這裡得到了「三條」線紙上的手繪曲線（視覺）腦部的反映曲線（生理）理解的觀念曲線（意識）。
A randomly drawn freehand curve can be analysed and encoded by computers, and then identified as visual graphical codes by the brain-computer interface (BCI), which in turn can be displayed on a screen sequentially.
When the audience looks at this piece of work “being described” as a video creation related to light, their electroencephalography (EEG) signals and the freehand curve, as it is transformed into visual graphical codes, become the same waveform. That implies that the audience’s brains also carry that randomly drawn freehand curve and, thus, to a certain extent, that they are also the space for the recording and the carrier of the display “drawings” (i.e. the freehand curve).
The transmission (mentioned above) is completed when the audience appreciates this piece of visual art as being related to light, and, without their noticing, it then enters the audience’s brains. The work itself with the audience together create the most direct and fundamental interaction. This type of interaction is different from the experimental interaction, brought about by the work itself, and is utterly different from the so-called “interaction” generated by traditional works. It is irresistibly invisible and its effect on individuals is consistent.
The original sketch of the freehand curve is hung on the wall opposite the screen playing the visual, graphical codes. There, the audience sees three lines – the freehand curve on paper (visual), the reflected curve in the brain (physiological), and the perceived conceptual curve (consciously).
個展+
Solo Exhibition+
2015
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「今夜我為何物」，龍美術館西岸館，上海
Tonight, I Shall Meditate on That Which I Am, Long Museum, Shanghai -
「劃線者」，Copeland Park，倫敦
Liner, Copeland Park, London
2013
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「幻想物」，倫敦大學國王學院，倫敦
Chinese Visual Festival 2013: Objects of Fantasy, King's College London, London -
「劃線者」，當代唐人藝術中心，北京
Liner, Tang Contemporary Art, Beijing
群展+
Group Exhibitions+
2017
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「非真實 ─ 演算法之當下」，新時線媒體藝術中心，上海
UnREAL. The Algorithmic Present, Chronus Art Center, Shanghai -
電子藝術中心（HeK），巴塞爾
HeK House of Electronic Arts, Basel -
「後感性：恐懼與意志」，明當代美術館，上海
Post-sense Sensibility Trepidation and Will, Ming Contemporary Art Museum, Shanghai -
「廢墟來的資訊」，亞洲當代藝術空間，臺北
Messages from the Ruin, Asia Art Center, Taipei -
「我們的繪畫」，央美術館，北京
Our Painting, Yang Museum, Beijing
2016
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「北京詩人」，維爾本格哈爾藝術中心，（荷蘭）馬斯特里赫特
Poets of Beijing, Wiebengahal, Maastricht, the Netherlands -
「後感性：恐懼與意志」，北京民生美術館，北京
Post-sense Sensibility, Trepidation and Will, Beijing Minsheng Art Museum, Beijing -
「為什麼表演？」，明當代美術館，上海
Why the Performance? Ming Contemporary Art Museum, Shanghai -
「無序之美」，卡斯雕塑基金會，（英國）奇賈斯特
A Beautiful Disorder, Cass Sculpture Foundation, Chichester, UK -
「真實的假像」，上海二十一世紀民生美術館，上海
The Shadow Never Lies, Shanghai 21st Century Minsheng Art Museum, Shanghai -
「Wrap Around The Time 白南准十周年紀念展」，白南准美術館，首爾
Wrap Around the Time - The 10th Anniversary Remembrance Exhibition of Nam June Paik, Nam June Paik Art Center, Seoul -
「中國藝術年鑒」，北京民生美術館，北京
The Exhibition of Annual Contemporary Art of China 2015, Beijing Minsheng Art Museum, Beijing
2015
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「物體系」，民生現代美術館，上海
The System of Objects, Minsheng Art Museum, Shanghai -
「聚變：1930年代以來的中國現當代藝術」，萬林藝術博物館，武漢
Fusion: Chinese Modern and Contemporary Art since 1930s, Wan Lin Museum, Wuhan
2014
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「UNPAINTED 新媒體 藝術展」，慕尼黒
UNPAINTED Media Art Fair, Postpalast, Munich -
「開今借古 ─龍美術館西岸館開幕展」，龍美術館西岸館，上海
Re-View Opening Exhibition of Long Museum West Bund, Long Museum, Shanghai -
「齊物等觀 ─國際新媒體藝術三年展」，中國美術館，北京
Thingworld - International Triennial of New Media Art, National Art Museum of China, Beijing -
「第十二屆全國美展實驗藝術展」，今日美術館，北京
The 12th National Art Exhibition:The Section of Experimental Art, Today Art Museum, Beijing -
「第三世界的世界III」，朱拉隆功大學藝術中心，曼谷
World III in the Third World, Art Center of Chulalongkorn University, Bangkok -
「天下無事 ─ 曼城亞洲藝術三年展 2014」，曼徹斯特
Asia Triennial Manchester 2014: Harmonious Society, John Rylands Library, Manchester
2013
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「ON/OFF：中國年輕藝術家的觀念與實踐」，尤倫斯當代藝術中心，北京
ON I OFF China’s Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing -
「Encounters，香港巴塞爾藝術博覽會」，香港
Positions, Art Basel, Miami Beach -
「Positions，邁阿密巴塞爾藝術博覽會」，邁阿密
Encounters, Art Basel, Hong Kong -
「縱橫阡陌 ─ 中國當代青年藝術家作品館藏展」，龍美術館，上海
Criss-Cross - Artworks of Young Chinese Contemporary Artists from Long Collection, Long Museum, Shanghai -
「選擇 ─ 央美的六個個案」，中央美術學院美術館，北京
Choosing - Six Cases from CAFA, CAFA Art Museum, Beijing