About Me
林欣傑
Keith LAM
新媒體藝術家，新媒體創作團隊 Dimension Plus 及文創空間 LAB by Dimension Plus 共同創辦人及藝術總監。
香港知專設計學院校外顧問、廣州美術學院客席副教授、「深圳・新媒體藝術節」藝術總監及顧問。曾任教香港城市大學創意媒體學院，及擔任香港藝術學院、香港理工大學設計學院、香港演藝學院、香港大學、香港中文大學的客席講師。GDC設計大獎國際評委。
林氏也積極投入新媒體藝術及設計之教育工作。曾出任多家大學,並經常被邀請至不同地方之大學及講座 中演講。包括中央美術學院,北京大學、台灣藝術大學、台北藝術大學、TED x Guangzhou、TED x Kowloon等。現同時為 Milk 雜誌作專欄作者，分享新媒體藝術及設計。
Keith Lam is a new media artist, and the founder and Artistic Director of New Media Creative Team Dimension+ and of Creative Space LAB by Dimension+.
Keith Lam has taught at the School of Creative Media of City University of Hong Kong, at the Hong Kong Art School; the Hong Kong Academy of Performing Arts; the School of Design of The Hong Kong Polytechnic University and Hong Kong University; the University of Hong Kong; and the Chinese University of Hong Kong. He has also been an external examiner for the Hong Kong Design Institute, a visiting associate professor at Guangzhou Academy of Fine Arts, an art director and consultant of Shenzhen New Media Arts Festival and part of the International jury for GDC.
Keith devotes himself to new media art and design education and has been invited to give speeches around the world, including: The Central Academy of Fine Arts, Peking University; National Taiwan University of Arts; Taipei National University of the Arts; TED x Guangzhou and TED x Kowloon, etc. He is also a columnist for the local magazine Milk, sharing new media arts and design.
提名專家
Nominator
艾朗宏 ALLEN, Richard William
單車輪子：協奏團
Cycling Wheel: The Orchestra
2017
混合媒介裝置
單車輪子、椅子、控制系統、LED 燈、射燈
Mixed Media Installation
Ready-made bicycle wheel and chair, microcontroller, tiny computer, LED, spot light
6 x 6 x 3 m
「看著它［按：指杜象 1913 年的作品《單車輪子》］轉呀轉，那是多心曠神怡的事…我喜歡看著它轉，就像我愛看壁爐裡火焰飛舞一樣。」
－ 馬塞爾‧杜象（1887 – 1968）
杜象說他喜歡看到作品《單車輪子》展出時被觀眾轉動的樣子 － 即使在之後的展覽中觀眾都沒機會再轉動它。
《單車輪子》是杜象首件以「現成物」製成的作品：他的本意是鼓勵觀眾與它互動，可惜它卻一直被封印起來，沒有再和觀眾互動過。然而，杜象的概念一直被藝術家們重塑及借用。
《單車輪子：協奏團》就借用了《單車輪子》的概念，讓被封印的輪子重新運作。藝術家將輪子本身轉化為控制聲音和光影的機器，把三台單車輪子塑造成表演工具。表演把燈光和聲音和輪子結合，幻化成杜象回憶中那飛舞的火焰。
“To see that wheel turning was very soothing, very comforting…I enjoyed looking at it, just as I enjoy looking at the flames dancing in a fireplace.”
- Marcel Duchamp (1887 – 1968)
Marcel Duchamp elaborated how he liked watching audiences spin the wheel of his work Bicycle Wheel in its original exhibition – which audiences could never again do after that first exhibition.
This is the first of Marcel’s ready-made objects, where interaction was welcome in its original character (though it was never touched or spun later); his concept has been borrowed by many artists since then.
Cycling Wheel borrows the idea of Marcel’s Bicycle Wheel, re-activating the wheel into a dynamic and interactive one; here the artist transforms its mechanics into a sound and light controller, and turns these three sets of bicycle wheels into a performative instrument. By embedding audio and lighting in the wheel, the artist creates a dancing flame, just like that described by Marcel Duchamp.
展覽+
Exhibition+
2017
作品被邀到世界展出，包括Ars Electronica Festival、FILE、ISEA、New Technological Art Award、微波國際新媒體藝術節、香港當代藝術雙年展、404 Festival 等。
His artworks have been included in numerous festivals, including Ars Electronica Festival, FILE, ISEA, New Technological Art Award, 404 Festival, Split Film Festival, Microwave International New Media Arts Festival and Hong Kong Arts Biennale.
獲獎+
Awards+
包括新媒體藝術桂冠 PRIX Ars Electronica、日本文化廳媒體藝術祭、香港藝術發展獎藝術新秀獎、2011 被《透視》雜誌選為全球 40 位 40 歲以下以創作驕子。
Award winner of PRIX Ars Electronica, Japan Media Arts Festival; Young Artist of Hong Kong Arts Development Awards; 2011 Selection of “40 under 40” of Global Creative Talent by Perspective Magazine.